eric blum

no 590, 2005, ink, beeswax on panel, 41x41, no 505, 2005, ink, beeswax on panel, 25x31, no 593, 2010, ink, beeswax, silk on panel, 51x77

exquisite-ness...see more here.

camille patha

likely promise, 2010, oil on canvas, 30x40, by the minute, 2011, oil on canvas, 40x60, a royal inspiration, oil on canvas, 36x48

like soap bubbles having a party...see more here.

Sarah Zwerling

Orto Botanico, 2007, digital print, 20x 30, Three Trees, 2010, digital print, 30x66, Aventine, 2006, digital print, 20x 30

the fine line between reality and imagination....see more here.

Jessica Demcsak

long island city 2, 2006, oil and acrylic on photograph, asbury park carousel, 2006, oil and acrylic on wood, decatur street, new orleans, 2006, oil and acrylic on wood

When experiencing the world, one cannot overlook the structures that surround us and give us shelter. The house itself is our first world. Structures house our dreams, memories, secrets and failures. Each space and corner represents a time in our lives. Aged structures retain a history of the experiences and thoughts of its inhabitants.

Memories rub off the insides and outsides of the spaces that exist and become a part of us, whether it is our memories of a similar place or the building’s memories of other inhabitants. Architecture is like a man made garden with buildings sprouting up instead of flowers, their overcrowding like weeds in our environment. It is a love hate relationship between the necessity of shelter and the taking away of space. I am inspired by its dichotomy of beauty and ugliness, necessary protection and excessive luxury.

see more here.

michael morgan

silo, roskens project, memory wall, roskens project, fountain wall

structure as sculpture...see more here.

sunday church drawing

sitting on the deck at night watching the moon fall and candles burn

Anna Jóelsdóttir

the dandelions are over, 2009, Acrylic, ink and colored pencil on canvas, 58x70, pulling through, 2008-2009, Acrylic, ink on canvas on wood, 49x 60, logic #2 (untitled), 2010, Acrylic, ink and colored pencil on canvas, 48x70

swirling storms of drawing...see more here.

ellen lanyon

alchemistic egg, 2010, acrylic on canvas, 36x36, at the sign of the hat, 2009, acrylic on canvas, 72x60, the great shuffle, 2010, acrylic on canvas, 36x36

like some of my dreams lately...see more here.

John M. White

Solimar Beach Elements,#3, 2010, Acrylic on Panel, 23x36, Kern Spin#4, 1987, Oil, Acrylic, Ink on Arches Paper, 60x85, Solimar Beach Elements,#5, 2010, Acrylic on Panel, 47.75x47.75

simply delightful...see more here.

Kathleen Cammarata

moonglow, 2008, oil on canvas, no holds barred, 2008, oil on canvas, feral regions, 2008, oil on canvas

volcanic worlds...see more here.

corinne wasmuht

siempre es hoy, 2007, oil on wood, 103x171, llanguanuco falls, 2008, oil on wood, 117x153, hgo-ro, 2006, oil on wood, 109x207

gorgeous fleeting moments...see more here.

sunday church drawing

watching flowers grow and birds eat sugar from a bowl in curacao

Johannes Girardoni

triptych, titanium white, 2007, beeswax, pigment, wood, hinges, 36x60x8, trough diptych, yellowbrown, 2006, beeswax, pigment, wood, 72.5x36.5x4, colorvoid (facebox), redbrown, 2007, beeswax, pigment, wood, 14x10x8, structured painting, yellowbrown, white, 2009, plywood, plexiglass, enamel, wax, 26x8x4

smart, clean, intriguing...see more here.

vadis turner

Ripe Dirt/Fresh Burial, 2011, ribbon, clothing, textiles, mixed media, 60x60, Mold Nest, 2011, clothing, ribbon, yarn, wool sweater, jump rope, mixed media, 20x14x9, Red Candy and Black Mold, 2011, ribbon, clothing, textiles, mixed media, 60x60

these are just too cool...see more here.

mary zeran

a more personal approach, 2010, acrylic paint, acrylic medium, vellum, masonite, and fir, 12x12x2, pedigree, 2011, acrylic paint, acrylic medium, vellum, masonite, fir, 18x20x2, this must be, 2011, acrylic paint, acrylic medium, vellum, masonite, and fir, 8x8x2

an ode to spring, found via sophie munns blog....see more here.

brian dettmer

all: hand cut books

The richness and depth of the book is universally respected yet often undiscovered as the monopoly of the form and relevance of the information fades over time. The book’s intended function has decreased and the form remains linear in a non-linear world. By altering physical forms of information and shifting preconceived functions, new and unexpected roles emerge.

read the entire statement, interesting process and see tons more work here.

michael cutlip

Red-tail, mixed on panel, 48x48, To The Moon, mixed on panel, 48x48, Red Lotus, mixed on panel, 48x48, Global, mixed on panel, 60x48

i visit his site every other month, his work is such an inspiration to me...see more here.