Thursday, April 21, 2011

ellen lanyon



alchemistic egg, 2010, acrylic on canvas, 36x36, at the sign of the hat, 2009, acrylic on canvas, 72x60, the great shuffle, 2010, acrylic on canvas, 36x36

like some of my dreams lately...see more here.

Wednesday, April 20, 2011

John M. White



Solimar Beach Elements,#3, 2010, Acrylic on Panel, 23x36, Kern Spin#4, 1987, Oil, Acrylic, Ink on Arches Paper, 60x85, Solimar Beach Elements,#5, 2010, Acrylic on Panel, 47.75x47.75

simply delightful...see more here.

Tuesday, April 19, 2011

Kathleen Cammarata


moonglow, 2008, oil on canvas, no holds barred, 2008, oil on canvas, feral regions, 2008, oil on canvas

volcanic worlds...see more here.

Monday, April 18, 2011

corinne wasmuht


siempre es hoy, 2007, oil on wood, 103x171, llanguanuco falls, 2008, oil on wood, 117x153, hgo-ro, 2006, oil on wood, 109x207

gorgeous fleeting moments...see more here.

Sunday, April 17, 2011

Friday, April 15, 2011

Johannes Girardoni




triptych, titanium white, 2007, beeswax, pigment, wood, hinges, 36x60x8, trough diptych, yellowbrown, 2006, beeswax, pigment, wood, 72.5x36.5x4, colorvoid (facebox), redbrown, 2007, beeswax, pigment, wood, 14x10x8, structured painting, yellowbrown, white, 2009, plywood, plexiglass, enamel, wax, 26x8x4

smart, clean, intriguing...see more here.

Thursday, April 14, 2011

vadis turner



Ripe Dirt/Fresh Burial, 2011, ribbon, clothing, textiles, mixed media, 60x60, Mold Nest, 2011, clothing, ribbon, yarn, wool sweater, jump rope, mixed media, 20x14x9, Red Candy and Black Mold, 2011, ribbon, clothing, textiles, mixed media, 60x60

these are just too cool...see more here.

Wednesday, April 13, 2011

mary zeran



a more personal approach, 2010, acrylic paint, acrylic medium, vellum, masonite, and fir, 12x12x2, pedigree, 2011, acrylic paint, acrylic medium, vellum, masonite, fir, 18x20x2, this must be, 2011, acrylic paint, acrylic medium, vellum, masonite, and fir, 8x8x2

an ode to spring, found via sophie munns blog....see more here.

Tuesday, April 12, 2011

brian dettmer



all: hand cut books
The richness and depth of the book is universally respected yet often undiscovered as the monopoly of the form and relevance of the information fades over time. The book’s intended function has decreased and the form remains linear in a non-linear world. By altering physical forms of information and shifting preconceived functions, new and unexpected roles emerge.
read the entire statement, interesting process and see tons more work here.

Monday, April 11, 2011

michael cutlip





Red-tail, mixed on panel, 48x48, To The Moon, mixed on panel, 48x48, Red Lotus, mixed on panel, 48x48, Global, mixed on panel, 60x48

i visit his site every other month, his work is such an inspiration to me...see more here.