Structures of all kinds from cellular and mineral to plant and skeletal, inform the work. The pieces become a collaboration of materials and intention, with the materials often altering my concept and practice of working. Various temporal and delicate objects I elect to work with often mirror our human sensitivities and vulnerabilities.see more here.
Tuesday, October 9, 2012
mari andrews
Monday, October 8, 2012
peter harrington
untitled, oils, dandelion, oils, 60x36, cholla and mihrabs, oils, 40x40
...a kabuki drama of primordial forms....see more here.
Sunday, October 7, 2012
Friday, October 5, 2012
cham hendon
the coolest paint by numbers paintings ever...see more here.
Thursday, October 4, 2012
Wednesday, October 3, 2012
yayoi kusama
yayoi kusama: mirrored years, 2010, city gallery wellington, new zealand, made up, 2008, liverpool biennial international, pilkingtons warehouse, liverpool, look now, see forever, 2012, queensland art gallery, brisbane
just love her...see more here.
Tuesday, October 2, 2012
liliana porter
The objects have a double existence. On the one hand they are mere appearance, insubstantial ornaments, but, at the same time, have a gaze that can be animated by the viewer, who, through it, can project the inclination to endow things with an interiority and identity.see more here.
Monday, October 1, 2012
mickalene thomas
hudson river on my mind, 2009, rhinestones, acrylic, enamel on wood panel, 84x108, landscape with ocean, 2012, rhinestones, acrylic, oil, enamel on wood panel, 90x100, landscape with camouflage, 2012, rhinestones, acrylic, oil, enamel on wood panel, 108x144
looking at landscape through a brightly colored broken mirror....see more here.
Sunday, September 30, 2012
Friday, September 28, 2012
elizabeth nagle
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