![](http://4.bp.blogspot.com/_UwEkl1xDxS0/ScWpivLCLCI/AAAAAAAABHU/XbOo7PK7C0w/s400/Infinite_Regions4.jpg)
![](http://1.bp.blogspot.com/_UwEkl1xDxS0/ScWnFGRhjNI/AAAAAAAABHM/Qn_O8kvjsUA/s400/vein1.jpg)
![](http://3.bp.blogspot.com/_UwEkl1xDxS0/ScWm6Cc7A3I/AAAAAAAABG8/hZuTRW6ZABA/s400/untitled_blue_lines.jpg)
![](http://1.bp.blogspot.com/_UwEkl1xDxS0/ScWm56O2YBI/AAAAAAAABGs/_ITZXcku9xw/s400/inflate.jpg)
![](http://3.bp.blogspot.com/_UwEkl1xDxS0/ScWm6JOTylI/AAAAAAAABG0/j5E3FYBRY8U/s400/MHinebrook_taste.jpg)
infinite regions 4, enamel on wood, 3' x 3', 2007, vein I, enamel on wood, 4' x 4', 2007, interlaced, enamel on wood, 2' x 2', 2006, inflate, enamel on wood, 4' x 4', 2008, taste, enamel on Wood, 4' x 4', 2007
i love the combination of rigid structure and fleshy softness in michelle hinebrook's paintings. she writes:
my work investigates sensation and perception as partly constructed, connected, remembered and imagined. my paintings are composites of multiple layers, vibrant color, structural patterns, abstracted imagery and organic forms.
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