juan gatti

ciencias naturales series

this series is a result of a collaboration between the artist and film director, pedro almodovar...see more here.

Graham McArthur

i wake to sleep, 2011, mixed media on paper, i thought i did, but i didn't, redressed, 2011, acrylic, gesso, pencil on paper, 31x48cm, shut up and listen to me, 2011, gesso, acrylic, gouache, varnish, pencil on paper,  16.5x28.5cm

i must learn calligraphy...see more here.

paul chojnowski

light in the clearing, burned and scorched paper, 11x15, heading uptown, burned and scorched paper, 22x30, requiescat II, burned and scorched paper, 11x15

more work on fire...see more here.

patrick kelly

all: carbon traces series, pencil on paper

velvety black friday...see more here.

alexis avlamis

duality, 2010, mixed media on canvas, 200x200cm, come in, 2010, colored pencils, watercolor, oil pencils, acrylic on paper, 160x170cm, phantasmagoric I, 2010, mixed media on paper, 80x80cm

topsy-turvy, color worlds....see more here.

Julie Davidow

the new strain #2, 2008, gesso, acrylic, latex enamel, enamel paint on canvas, 48x48, the new strain #3, 2008, gesso, acrylic, latex enamel, enamel paint on canvas, 48x48, the new strain #9 (from arcade/mehretu), 2009, gesso, acrylic, latex enamel, enamel paint on canvas, 60x60

The Diagrams Series seeks to establish order through the mapping of multiple visual cues. These cues include specific, compositional samples of the architecture of contemporary art museums and the contemporary art that is enshrined within these structures. This sampling is achieved through a diagrammatical folding and scoring of the raw canvas, creating an allegorical foundation for the structure of painting. Space, organization, pattern-seeking, discerning solution are all explored in this most recent series of paintings.

see more here.

minnie evans

sorry, no info

i'm such a huge fan of her world...see more here.

john danczyszak

1994, watercolor and pencil on paper, 4.5x6.5, 1997, watercolor and pencil on paper, 4.5x6.5, 1995, watercolor and pencil on paper, 4.5x6.5

see more here and read part of his amazing story here.

joseph burwell

isometric funeral, 2012, pencil and color pen on wood panel, 43x27.5, the pool of the holy sea, 2006, color pen, pencil on tracing paper, 24x18, an example of mid-century medieval modernism, 2011, color pencil, marker, pen on wood panel, 24x18

the next step is to build these amazing structures....see more here.

diane victor

sorry, no information on these pieces

drawing in smoke, amazing technique...see more here and a video of the artist working here.

Steven Seinberg

lalena, 2008, oil and graphite on canvas, 60x76, released, 2008, oil and graphite on canvas, 61x61, waiting, 2009, oil and graphite on canvas, 70x80

moments; quiet and contemplative...see more here.

emily barletta

untitled 9, 2011, thread and paper, 18x24, untitled mountain 7, 2010, thread and paper, 5.5x8.5, untitled 11, 2011, thread and paper, 18x24

stitched marks are the coolest marks of all...see more here.

silvia poloto

optical collision series, chicken, mixed media on panel, 20x20, urban ore 6, mixed media on wood, 40x43, optical collision series, ballet shoes, mixed media on panel, 20x20

see...pink can totally be cool...see more here.

kirsten stolle

cruris constrictum, 2009, acrylic, graphite, collage, wax on ragboard, 30x22, orbis erthyromite, 2009, acrylic, graphite, collage, wax on ragboard, 30x22, involvo pepin, 2009, acrylic, graphite, collage, wax on ragboard, 30x22

horrifyingly lovely....see more here.

paul vincent bernard

double stump, 2011, drypoint painting, 10x11, highway 89, 2011, drypoint painting, 24x24, silver linings, 2011, drypoint painting, 10x11

now those are some interesting marks...see more here.

erik gonzales

corona, mixed media on canvas, 42x42, flora, mixed media on canvas, 47x40, morula, mixed media on panel, 24x24

bold use of scale, line and black...see more here.

kari lindstrom

traces, 2008, sumi on paper, 90x47, traces, 2008, sumi on paper, 90x47, traces, 2008, sumi on paper, 90x47

there is boldness in spontaneity....see more here.